| 70000 BC | The dead kept in the cave | A work | | |
| 40000 BC | The carved animals | A work | | |
| 34000 BC | Beads, and one bull | A work | | |
| 15000 BC | The dog | A mechanism or tactic | | |
| 9500 BC | Eleven thousand years of pillars | A work | | |
| 800 BC | The story told again | A work | | |
| 660 BC | The craft of the sage Adapa | A mechanism or tactic | | |
| 370 BC | Shag-eared and deaf | A work | | |
| 250 BC | The wax masks in the hall | A work | | |
| 210 BC | Eight thousand faces, all facing outward | A mechanism or tactic | | |
| 200 BC | The congregation | A mechanism or tactic | | |
| 8 | Pygmalion | A work | | |
| 100 | The priest | A mechanism or tactic | | |
| 325 | A creed held rather than a god addressed | A work | | ? |
| 787 | The icon answers nothing | A work | | ? |
| 1150 | Ninety-three pieces, and a name | A work | | |
| 1350 | The god whose cult was dismantled from above | An event or moment | | ? |
| 1373 | Margery Kempe | A person | | |
| 1438 | Binding | A mechanism or tactic | | |
| 1438 | The Book of My First Showings | A work | | |
| 1531 | Am I not here, I who am your mother? | A work | | |
| 1547 | Miguel de Cervantes | A person | | ? |
| 1600 | The audience | A mechanism or tactic | | |
| 1605 | Don Quixote | A person | | |
| 1650 | Think of nothing but the guru | A mechanism or tactic | | ? |
| 1740 | Virtue rewarded | A work | | ? |
| 1749 | Johann Wolfgang von Goethe | A person | | ? |
| 1758 | The wall exists to keep you out | A mechanism or tactic | | ? |
| 1774 | Werther | A person | | |
| 1812 | Charles Dickens | A person | | ? |
| 1861 | Miss Havisham | A person | | |
| 1880 | Identification with a team | A mechanism or tactic | | |
| 1880 | The trading stamp | A mechanism or tactic | | |
| 1890 | Am I really like that? | A work | | ? |
| 1890 | Trying to live up to the standard of his girls | A work | | |
| 1891 | The Divine Sarah | A person | | ? |
| 1897 | The comic strip | A work | | ? |
| 1899 | Alfred Hitchcock | A person | | ? |
| 1900 | The coach | A mechanism or tactic | | |
| 1900 | The landlord | A mechanism or tactic | | |
| 1900 | The teacher | A mechanism or tactic | | |
| 1900 | The transfer | A mechanism or tactic | | ? |
| 1904 | If you believe, clap your hands | A work | | |
| 1910 | They killed her in the papers | A person | | |
| 1911 | Thousands came to gawk at the empty wall | An event or moment | | ? |
| 1911 | Thousands of letters, and a handful printed | A mechanism or tactic | | ? |
| 1912 | The film serial | A work | | ? |
| 1914 | A doodle of you used as your address | A person | | ? |
| 1914 | Known to more people than any other woman in history | A person | | ? |
| 1915 | Anagram of Arab death | A person | | |
| 1917 | The face he painted for the army was his own | A work | | |
| 1920 | The athlete and the city | A mechanism or tactic | | |
| 1920 | The bird that says the words without a person behind them | An event or moment | | ? |
| 1920 | The fan mail department | A mechanism or tactic | | ? |
| 1921 | Cordially yours, Betty Crocker | A person | | ? |
| 1921 | They were not his, and they had never been | A person | | ? |
| 1922 | Most faithfully, Rin Tin Tin | A person | | |
| 1924 | The first fans | An event or moment | | |
| 1924 | The radio church of Sister Aimee | A person | | ? |
| 1927 | The baseball the papers built | A person | | ? |
| 1927 | The girl the studio built | A person | | ? |
| 1928 | From two undelivered reels to a lunchbox | A work | | ? |
| 1928 | The audience organised against the show | A work | | ? |
| 1930 | A magazine that did not exist | A work | | ? |
| 1930 | Radio and the soap | A work | | ? |
| 1930 | Somebody always wrote back | A work | | ? |
| 1930 | The cliffhanger | A mechanism or tactic | | |
| 1930 | Your face is too well known | A work | | ? |
| 1932 | Let alone, not alone | A person | | ? |
| 1933 | As if he had joined them in their living rooms | A mechanism or tactic | | ? |
| 1933 | Nineteen years of the version they were shown | A work | | ? |
| 1933 | The soap opera | A work | | ? |
| 1934 | Sixty-five percent by seven | A mechanism or tactic | | ? |
| 1935 | The most widely known citizen | A person | | |
| 1935 | You within sound of my voice | A mechanism or tactic | | |
| 1938 | Nine to twelve million heard it | An event or moment | | ? |
| 1938 | The first superhero | A work | | ? |
| 1939 | The protagonist is a parasocial object | A term or concept | | ? |
| 1940 | Entitled to the adulation of all lesser mortals | A mechanism or tactic | | ? |
| 1940 | The bobby-soxers | An event or moment | | ? |
| 1940 | This is London | A person | | |
| 1940 | Wishful thinking | A term or concept | | |
| 1941 | A letter in words and music | A person | | |
| 1942 | I hope the feeling is mutual | A work | | ? |
| 1943 | Gigi | A work | | |
| 1944 | The band played without him | A person | | |
| 1945 | Not all ghosts are bad | A work | | ? |
| 1945 | Registered by the applause meter | A mechanism or tactic | | ? |
| 1947 | Say, kids, what time is it? | A work | | ? |
| 1948 | Nick Drake | A person | | ? |
| 1950 | Gazing at celebrities | A study or paper | | ? |
| 1950 | Nobody in that room argues with him | A work | | ? |
| 1950 | The fan club | A mechanism or tactic | | ? |
| 1950 | The local news anchor | A mechanism or tactic | | ? |
| 1950 | The neighbour | A mechanism or tactic | | |
| 1950 | The retail clerk | A mechanism or tactic | | |
| 1950 | The strip about unrequited love | A work | | ? |
| 1955 | The Macy's counter | A person | | |
| 1956 | Elvis Presley | A person | | ? |
| 1956 | He did not ask to be buried as Dracula | An event or moment | | ? |
| 1956 | Parasocial interaction | A term or concept | | ? |
| 1958 | Green Shield Stamps | A mechanism or tactic | | ? |
| 1958 | The mother that fed and the mother that held | A study or paper | | ? |
| 1958 | The tape could not answer | A work | | ? |
| 1958 | Vertigo | A work | | |
| 1959 | The manufactured teen idol | A mechanism or tactic | | ? |
| 1960 | The political parasocial | A mechanism or tactic | | ? |
| 1960 | The sitcom family | A mechanism or tactic | | ? |
| 1961 | A team built to answer a competitor | A work | | ? |
| 1961 | The voice you distrust | A term or concept | | ? |
| 1962 | Fifty copies of a face | A work | | ? |
| 1962 | The reply that was printed | A mechanism or tactic | | ? |
| 1963 | Dionne Warwick's fan mail | A person | | ? |
| 1964 | Beatlesmania | An event or moment | | ? |
| 1965 | A cohort nobody in it has met | An event or moment | | ? |
| 1966 | ELIZA | A mechanism or tactic | | ? |
| 1966 | The dialogue programs | A mechanism or tactic | | ? |
| 1968 | Charisma as a measurable asset | A study or paper | | ? |
| 1968 | Won't you be my neighbor? | A work | | ? |
| 1970 | Characters move in | A mechanism or tactic | | |
| 1970 | Grieving a person you never met | A mechanism or tactic | | |
| 1970 | SHRDLU | A mechanism or tactic | | ? |
| 1970 | The friend as you last saw them | An event or moment | | ? |
| 1971 | The figure you buy | A mechanism or tactic | | ? |
| 1971 | The first convention | An event or moment | | ? |
| 1973 | Elvis, in a hologram, from Hawaii | An event or moment | | ? |
| 1976 | Convention culture | An event or moment | | ? |
| 1976 | The audience became the show | An event or moment | | ? |
| 1976 | The finding that the satisfaction is not in the show | A study or paper | | ? |
| 1978 | The holiday special | A work | | ? |
| 1979 | The machine that answered back | A work | | ? |
| 1979 | The uncanny corridor of companionship | A term or concept | | ? |
| 1980 | The finale study | A study or paper | | ? |
| 1980 | The season finale | A mechanism or tactic | | ? |
| 1981 | The distance programme | A mechanism or tactic | | ? |
| 1982 | The supermarket club | A mechanism or tactic | | ? |
| 1983 | M*A*S*H | An event or moment | | ? |
| 1985 | Loneliness and local television news | A study or paper | | ? |
| 1985 | Parasocial interaction disorder | A term or concept | | ? |
| 1985 | The counter sits between | A mechanism or tactic | | |
| 1985 | Vote for the murderer | A work | | ? |
| 1986 | So many people want to believe he's real | A work | | ? |
| 1988 | Robin died by 72 votes | An event or moment | | ? |
| 1990 | Is it good for you? | A term or concept | | |
| 1990 | Mourning a person you met | A term or concept | | ? |
| 1990 | Shipping | A mechanism or tactic | | ? |
| 1990 | The comfort rewatch | A mechanism or tactic | | ? |
| 1990 | The stalker statute | A legal or documented case | | ? |
| 1990 | The stamp card | A mechanism or tactic | | ? |
| 1991 | The NEST letter | An event or moment | | |
| 1992 | The confessional that became a convention | A mechanism or tactic | | ? |
| 1992 | The death they scheduled | A work | | ? |
| 1992 | The table that carried a club nobody came to | An event or moment | | ? |
| 1992 | The window that structures the year | An event or moment | | ? |
| 1993 | Saturday morning cartoons | An event or moment | | |
| 1993 | The Power Rangers handover | An event or moment | | |
| 1994 | Kurt Cobain | An event or moment | | ? |
| 1994 | The character death | A mechanism or tactic | | ? |
| 1994 | The one you made, who you then miss | A work | | ? |
| 1995 | Clerks beat algorithms | A mechanism or tactic | | |
| 1995 | The brand that has a personality | A mechanism or tactic | | ? |
| 1995 | The companion bot boom | A mechanism or tactic | | ? |
| 1995 | The loyalty counter | A mechanism or tactic | | |
| 1996 | The device that was given a face | A work | | ? |
| 1996 | Will you help me? | A work | | ? |
| 1997 | The boy band | A work | | ? |
| 1997 | Webcasting | An event or moment | | ? |
| 1998 | After Diego | An institution or organisation | | |
| 1998 | The anime import boom | An event or moment | | ? |
| 1999 | Forum culture | An event or moment | | |
| 1999 | The narrator is Tyler Durden, and he is not told | A work | | ? |
| 2000 | Sasaeng culture | A term or concept | | ? |
| 2000 | The sasaeng | A term or concept | | ? |
| 2000 | Transparasocial interaction | A term or concept | | ? |
| 2001 | Transnational fandom | An event or moment | | ? |
| 2002 | The forum that scored the edit | A mechanism or tactic | | ? |
| 2003 | Second Life | An event or moment | | ? |
| 2003 | The reality celebrity | A person | | ? |
| 2004 | Michael Jackson | An event or moment | | ? |
| 2005 | Doxxing the person, not the character | A mechanism or tactic | | |
| 2005 | Fighting about a stranger in a reply section | A mechanism or tactic | | |
| 2005 | The character is not the person | A term or concept | | ? |
| 2005 | The crowd injury | An event or moment | | ? |
| 2005 | The goodwill gesture | A mechanism or tactic | | ? |
| 2005 | YouTube launches | An event or moment | | ? |
| 2007 | The phone becomes a person | An event or moment | | |
| 2008 | The actor and the character | An event or moment | | ? |
| 2008 | The pile-on | A mechanism or tactic | | |
| 2009 | The Bieber effect | An event or moment | | ? |
| 2010 | Grief merchandise | A mechanism or tactic | | ? |
| 2010 | Paid intimacy | A mechanism or tactic | | ? |
| 2010 | The attention economy | A term or concept | | ? |
| 2010 | The dark pattern in the loyalty card | A term or concept | | ? |
| 2010 | The quarterly audit | A mechanism or tactic | | |
| 2010 | The recurring delivery | A mechanism or tactic | | ? |
| 2010 | Watching the replies | A mechanism or tactic | | |
| 2011 | A mob is a parasocial event | A term or concept | | ? |
| 2011 | But the beaver resists | A work | | ? |
| 2011 | Justin.tv becomes Twitch | An event or moment | | ? |
| 2011 | Nobody answered | A mechanism or tactic | | ? |
| 2011 | The assistant arrives | An event or moment | | ? |
| 2012 | Fandom wars | An event or moment | | ? |
| 2013 | A slightly more awkward version of himself | A person | | ? |
| 2013 | Swatting | A mechanism or tactic | | ? |
| 2014 | Gamergate | An event or moment | | ? |
| 2014 | Parasocial research on creators begins | A study or paper | | ? |
| 2014 | The podcast as an intimate medium | A mechanism or tactic | | ? |
| 2015 | Live chat, two-way | A mechanism or tactic | | |
| 2015 | Parasocial persuasion | A term or concept | | ? |
| 2015 | The failing endorsement | A study or paper | | ? |
| 2015 | The free trial | A mechanism or tactic | | ? |
| 2015 | The people who are supposed to be reachable | A term or concept | | |
| 2015 | The ratio | A mechanism or tactic | | ? |
| 2015 | The subscription tier | A mechanism or tactic | | |
| 2015 | Who holds the dream | A term or concept | | |
| 2016 | He knows you are there and it is not in the script | A work | | ? |
| 2016 | Peak TV and the parasocial bargain | A term or concept | | ? |
| 2016 | Prince | An event or moment | | ? |
| 2016 | Tay | An event or moment | | ? |
| 2016 | The K-pop intimacy economy | A mechanism or tactic | | ? |
| 2016 | The algorithm decides | A term or concept | | ? |
| 2016 | The stadium | An event or moment | | ? |
| 2016 | The virtual creator | A mechanism or tactic | | ? |
| 2017 | Cancelling | A term or concept | | ? |
| 2017 | Replika | A work | | |
| 2017 | Replika | An event or moment | | ? |
| 2017 | The Replika user | A person | | ? |
| 2017 | The companion that talks back | A mechanism or tactic | | |
| 2019 | The ensemble farewell | An event or moment | | ? |
| 2019 | The finale nobody wanted | An event or moment | | ? |
| 2020 | Consent in one-sided attachment | A term or concept | | ? |
| 2020 | Envy, relief, and the two feelings at once | A study or paper | | ? |
| 2020 | Grief as a product surface | A mechanism or tactic | | |
| 2020 | Kobe Bryant | An event or moment | | ? |
| 2022 | Character.AI | An event or moment | | ? |
| 2022 | The assistant with your whole life in it | A mechanism or tactic | | ? |
| 2022 | The talent agency that is not an agency | An event or moment | | ? |
| 2023 | Keeping what the update cannot take | A mechanism or tactic | | |
| 2023 | The finale that moved the schedule | An event or moment | | ? |
| 2023 | The morning the update shipped | An event or moment | | ? |
| 2023 | The residency | An event or moment | | ? |
| 2023 | The same feeling, larger | A term or concept | | |
| 2024 | Digital orphans | A term or concept | | ? |
| 2024 | The AI Age Act and companion rules | A term or concept | | ? |
| 2024 | The dead celebrity, generated | A mechanism or tactic | | ? |
| 2024 | The lawsuits | A legal or documented case | | ? |
| 2024 | The year of the lawsuits | A legal or documented case | | ? |
| 2026 | A glimpse mistaken for access | An event or moment | | ? |
| 2026 | The creator joins the living room | An event or moment | | ? |
| 2026 | The platform executive and the creator, same stage | An event or moment | | |
| — | Mystical union | A term or concept | | ? |
| — | St John the Baptist, Church of the Sepulchre, Cambridge | An institution or organisation | | ? |
| — | The archivist | A person | | ? |
| — | The one who writes back | A person | | ? |
| — | The ultra | A person | | ? |