PARASOCIALIZE

A study or paper · 1950 · Research

Gazing at celebrities

The early frames on attraction to media figures, work that treated the person doing the gazing as a slightly odd specimen and the celebrity as an object of study rather than a participant.

Considerationhistory
A title plate for Gazing at celebrities: the name, the year and a mark drawn from the entry. It is not a photograph.
Gazing at celebrities in its neighbourhood HERE Parasocial interaction - A term or concept956Parasocial inteThe protagonist is a parasocial object - A term or concept939The protagonistThe soap opera - A work933The soap operaThey were not his, and they had never been - A person921They were not hFifty copies of a face - A work962Fifty copies ofNineteen years of the version they were shown - A work933Nineteen years
points at this this points at colour is what kind of thing it is

Historians use it as a mark of how far the field has moved. Almost nothing in the current literature treats the viewer as strange. The interesting correction is not that gazing is normal but that the frame itself was the problem - one person studied, the other one an object.

Consideration. The part where somebody stops and thinks. The research, the diagnosis, the ethics, the lawsuits, the regulators. Roughly fifty years of arguing with itself about whether this is a relationship.

Where it sits

1950 1950-1999 · 1950 1999

Provenance · 1 source record(s)

PERSONA The idol

Connected · 3 out, 4 in

Parasocial interactioncites · 1956 · A term or conceptThe protagonist is a parasocial objectcites · 1939 · A term or conceptThe soap operaof the same time as · 1933 · A workParasocial interactioncites · 1956 · A term or conceptThey were not his, and they had never beencame before · 1921 · A personFifty copies of a facedepicts · 1962 · A workNineteen years of the version they were showncame before · 1933 · A work

It sits in

IDOLin the IDOL timeline

The full timeline → · The database → · The atlas →